An
arresting debut from multi-reedman Rigby offers a personal slant on Coltrane
on tenor, with a less-obvious stylistic debt on alto and soprano; he also
plays bass clarinet and bamboo flute. But as a composer and arranger his
originality is even more striking. In settings ranging from the minimal
of trio and quartet, or expanded to use woodwind trios and cello, he's
created a distinctive, if eclectic, synthesis of Wayne Shorter and Ornette
Coleman, with echoes of Paul Motian's trio. Though he also acknowledges
Philip Glass, Mahler, Bartok and Shostakovich as influences on an album
packed with enough diversity and ideas to sustain several more, the results
are less forbiding and more homogeneous than this suggests. He's well
served in performance by Mike Holober (piano/Fender Rhodes), Cameron Brown
(bass), and Mark Ferber (drums). One to watch.
www.freshsoundrecords.com Ray Comiskey